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6 Tips to Create Korean Kitchen Interior Design

6 Tips To Create Korean Kitchen Interior Design

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On Bong Joon-Ho’s Parasite, assembly artist Lee Ha-jun took abundant care, while crafting two acutely altered South Korean homes, which batten to the director’s anxious anatomization of chic divisions.

The centerpiece of the blur is the home of the acutely flush Parks—a amplitude that evokes the family’s algid break from the acquaintance of the country’s lower class. Then, there is the home of the Kims, the ancestors that infiltrates the Park domiciliary to augment off their wealth. A smelly, abrasive sub-basement home, bottomward the acropolis from the Parks’, this amplitude proves appropriately memorable, decidedly as it’s abounding by torrential rains, abrogation the Kims to arch for a shelter.

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A administrator who approaches his films with a arresting eye for detail, Joon Ho gave his assembly artist an acutely specific brief, with attention to the architectonics of both of these homes. Providing Ha-jun with sketches of anniversary space, which he created while penning the script, as able-bodied as attic plans, the administrator prioritized the specific choreography he had in apperception for his actors, in his all-embracing abrupt for the film.

Conceiving anniversary ambiance and anniversary attempt with specific dichotomies in mind—between aerial and low, affluent and poor—Joon Ho had the Park abode interiors congenital on a complete stage, with Ha-jun starting at beam akin and alive his way down. “The acumen we fabricated it this way is because there was a steadicam attempt that goes bottomward the absolute space, and Administrator Bong requested that he capital to shoot it after cutting. It did become an astronomic set, to the point of appearing a bit imprudent. But from a accepted point of view, I anticipate it was the appropriate best for the ability of acid and the spatial captivation of the actors,” the assembly artist says. “It’s a amplitude that anybody is seeing for the aboriginal time, so back you go bottomward the absolute stairs, it makes you bolt your breath. I anticipate that it ability accept been accessible for the actors to act in a set like this.”

Below, the Parasite assembly artist break bottomward the action he went through to actualize sets that were characters in themselves, additionally anecdotic what it is about Administrator Bong that inspires his below-the-line collaborators.

DEADLINE: What were your aboriginal impressions back you apprehend Bong Joon-ho’s calligraphy for Parasite? What aflame you about the abstraction of alive on this film?

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LEE HA-JUN: Even afore he had accustomed me the script, I had already met with Administrator Bong several times to allocution about the synopsis. We had already announced about amplitude as well. Back I apprehend the script, I could annual it vividly. However, a lot of the locations bare absolute blocking.The administrator and I both absitively that it would be wiser to use a set rather than shoot on breadth in adjustment to do that.

The calligraphy is acutely elaborate. All the thoughts and things Administrator Bong wants to accurate are seeped into the writing. Back you cook, the capacity are actual important. Administrator Bong brings those capacity that he’s been growing in his apple to the table. Our job is to booty those ingredients, add a abundant chef, acceptable tools, and air-conditioned decoration, to actualize a completed dish. I was accustomed to do a third activity with a administrator like him.

DEADLINE: Could you call your aboriginal conversations with Administrator Bong back you came aboard the project? What did he describe, in agreement of what was acute to him with the architectonics of this film? 

HA-JUN: Aboriginal of all, Administrator Bong said precisely…The movement has to continuously go from top to bottom. Including the semi-basement home, aggregate had to accept contrast. As you appear bottomward from the affluent family’s home, the attending of the adjacency has to boring change. There has to be added rain and added water, in adjustment to actualize a faculty of amplitude and dash for the absolute film. Because he acutely set that actual important aspect aboriginal on, there was no adversity in working. However, on location, we had to action all those stairs as we came down—all those electric affairs and stairs you see. Whether it was Mr. Park’s abode or Ki-taek’s semi-basement home, there are stairs aural the home that alter in size. So, we went up, we went down. I accept never fabricated so abounding stairs in my filmmaking career.

Another affair Administrator Bong abnormally asked for was the blocking of the actors. In Snowpiercer, they move from larboard to right, in adjustment to biking from the end barrow to the advanced barrow of the train. In Parasite, you go from appropriate to left, or from the affluent adjacency bottomward to the semi-basement neighborhood, endlessly appropriate to left. We all fabricated abiding that the breadth advance and the camera angles, as able-bodied as added things we had to adapt all akin the choreography back we were creating the set and accomplishing the set dressing.

DEADLINE: What was the cerebration back it came to Parasite’s blush palette?

HA-JUN: Administrator Bong capital the college chic to accept banausic and comfortable colors. For the lower class, he capital the aggregate of complicated and assorted colors and textures. I bethink we talked about this a lot.

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In fact, I approved not to use a lot of blush in Mr. Park’s house. I approved to bout the accepted accent and blush to gray. In adjustment to highlight the accurate in the exoteric and interior, we approved to accumulate the autogenous colors dark. We acclimated warm-toned applied lights in adjustment to accord the consequence of affluence and warmth. We congenital the set in a way that we could use applied lights with adjustable blush temperature and hue.

Contrary to the affluent family’s house, Ki-taek’s semi-basement adjacency has a lot of color. However, we approved to accomplish the colors as simple as accessible so that no distinct blush would pop. These colors do accept a rougher arrangement and college saturation.

We capital to accurate the accretion assimilation as the attending changes amid classes that alive in lower acclivity vs. college elevation, or in affluent neighborhoods vs. semi-basement neighborhoods.

DEADLINE: What were the aboriginal accomplish you took in creating your designs for the Park family’s home? Was its attending aggressive by the assignment of any accurate architects?

HA-JUN: To my knowledge, Administrator Bong had an artist in apperception back he was autograph the script. However, this did not affect the architectonics of Mr. Park’s house.

Mr. Park’s abode was set in the anecdotal to be a abode congenital by an architect, so it was not accessible to access its design. I’m not an architect, and I anticipate the blazon of amplitude that an artist and a assembly artist would draw up are different. While for us, the blocking of the actors and the camera bend are important, in architecture, absolute bodies accept to alive there, so it is focused on bodies and the amplitude is advised as such.

We started the autogenous design, attractive at the attic plan that Administrator Bong anticipation of back he was autograph the script. The movement of the actors from active allowance to garden, the movement from the additional attic stairs to the kitchen table, from additional attic stairs to analytical into the kitchen, from kitchen bottomward to the basement storage, from the basement accumulator to addition abstruse basement (the amplitude breadth Geun-se lives), from the barn up to the active room…these were all routes that Administrator Bong anticipation were important.

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It was important to actualize a architectonics to amuse these movements back we planned the space. We additionally looked at abounding references from architects, absorption the exoteric attending of the building. We took into annual that we couldn’t actualize an exoteric too altered from the autogenous because we couldn’t shoot the autogenous separately. It aloof had to be a absolute house. So I got Administrator Bong’s assessment through references and started to architectonics one by one. A abode that was basal and wasn’t superfluous, a ample and cocked house, a abode that assorted with the semi-basement neighborhood, with aerial colors and abstracts rather than absorbing elements, one with a ample garden…This is Mr. Park’s house.

DEADLINE: To clarify, was the exoteric of the home a absolute location, or was it additionally congenital for the film?

HA-JUN: In adjustment to advance the ability of acid and abbreviate the account and set architecture time, Mr. Park’s abode abundantly consisted of 4 sets. First, the affluent family’s alien bank set that has the parking garage, capital gate, and aerial wall. Second, the capital exoteric set, breadth back you go through the capital aboideau and up the stairs, you see the garden, and back you go in there is the aboriginal attic active room, kitchen, table, stairs to the additional floor, stairs to the basement storage, and stairs to appear up to the active allowance from the parking garage. Third, [there was] the additional attic set with Mr. Park’s bedroom, bathroom, sauna, bathrobe room, crumb room, Da-song’s room, Da-hye’s room, and the soundstage set with the additional attic active area. Fourth, the soundstage set, with stairs that go from the aboriginal attic kitchen to the basement accumulator and abstruse basement space.

DEADLINE: What do you adore best about alive with Administrator Bong?

HA-JUN: Considering Administrator Bong allows me to use about 98% of my abilities, he additionally encourages me to use the extra 2% of abeyant abilities. He is absolutely able to cull that out of me.

Sometimes, I feel that he is all-knowing. I anticipate that is his talent. He starts conversations with the aggregation generally after a faculty of distance, generally exchanges argument messages, shares nice images. He is like an active captain, council a actual ample ship. He knows how to accommodation amid the accessible and impossible, and knows how to handle variables that arise. Added than anything, he doesn’t accession his articulation on set. He is a actual ideal director.

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