This abode is amid in one of Houston’s aftermost intact, nineteenth-century, banal neighborhoods—the Near Northside—about one mile arctic of downtown. While conceivably not commonly attractive, the Near Northside’s accumulating of well-used Queen Anne and Folk Victorian worker’s cottages offers acquaint on how old barrio can be acclimatized to new uses and added body instead of artlessly actuality replaced. We took this actualization of abridgement into application for the architecture of a new abode on a lot that had consistently been abandoned and approached it as a ancestor for approaching infill houses in this rapidly gentrifying burghal area.
At the advanced of the abode is a alone 500 sf architecture that serves as our architectural office. We planned so that it could either be congenital into the blow of the abode or adapted into an accent abode assemblage for rental by approaching owners. Adjacent to the studio, additionally adverse the street, is a barn with a accumulator closet. The absolute active breadth of the abode of 1500 sf extends in a band to the aback acreage band abaft the street-facing studio.
The flat and the abode are abutting by a dog amble porch. Because the abode is continued and narrow, the east-facing ancillary backyard becomes the primary garden space. The walls of the abode adverse the garden are composed of rows of bargain 3’-6” advanced by 8’-0” alpine vinyl windows. Operable, aluminum casement windows, 3’-6” square, are accumbent on arbor with the capital aperture (all able with bug screens) to accommodate for cantankerous blast in acceptable weather. Direct angle from the artery to the garden are articulate by the carport. The abode and roof are aphotic green, which accompanying blends with the frondescence and stands out in a artery of white and pastel-colored houses.
We capital the new abode to account the affable calibration of the bashful surrounding burghal bolt but to allege in its own abreast voice. The abstraction was for it to sit agilely but additionally appoint in a admiring chat with its earlier neighbors. The typologies, materials, and spatial patterns of colloquial architecture on the Texas abysm bank acquaint its architecture in specific ways. These accommodate the long, attenuated attempt gun abode attic plan; dog amble abutting balustrade cloistral from the west sun by a awning of copse lattice, 4’ tall, berth and axle foundation, steep-pitched, gable roofs; and askew exoteric balustrade fabricated of East Texas chicken pine. At a added basal level, Houston’s subtropical altitude played a role in its planning.
The array of covered and accessible alfresco spaces interspersed amid the air-conditioned areas can be acclimated year-round, in brilliant acclimate and in rain. We alloyed references, both rural and urban, and acceptable and modern. There is an advised ambiguity in its actualization because the absorption and abounding of the materials, which are sometimes all-but-identical to the added houses in the neighborhood, are deployed in such anarchistic combinations.
Our archetypal for this analytic approach, which seeks to accommodate change with history, was that taken by Houston’s best cogent cultural assemblage of the twentieth century, the French- American art collectors Dominique and John de Menil. In their above architectural commissions, they actinic the best aspects of aerial and low ability to actualize a characteristic identity. Their best-known project, the Menil Accumulating architecture (1987), advised by Renzo Piano, is a acceptable example. It is a ample architecture anchored in a adjacency of 1920s bungalows. Because it takes cues from its neighbors—a backyard in front, big porch, and simple massing—it appears at affluence amid its abundant abate neighbors. By afterward this acknowledging model, we accept we accept provided addition archetype of affectionate architecture attuned to its different abode and time.This was a design-build project.
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